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Fetch the stone tablets. Justin Timberlake. Nice guy. Which means there’s not a flicker of schadenfreude to be felt in declaring Timberlake’s new album truly abysmal. Titled “The 20/20 Experience 2 of 2,” it’s the sequel to that 10-song mistake Timberlake issued in March, and it’s another high-gloss slog that’s both glossier and sloggier. Boasting 12 tracks — one is “hidden” — this new album spoils the symmetrical conceit suggested in its title while simultaneously prolonging our discomfort. Once again, super-producer Timbaland is at the controls, providing ornate pop beats that sound like they were freeze-dried in 2006, when he helped draft Timberlake’s sophomore triumph, “FutureSex/LoveSounds.” And just like on the first “20/20” go-round, most of those backing beats meander past the five-minute mark, giving Timberlake plenty of room to do nothing interesting whatsoever. It feels like being held hostage at a party that ended last weekend.

But 14 years after their match, the technology that brought the MacDonalds together was threatening to tear them apart, Could this marriage made in Internet heaven be saved?, And it’s not just about love, People are counting among their friends those who may share a passion for pinot noir or the Pittsburgh Steelers, even though they’ve never actually met; a 2011 Pew Research Center study found that 7 percent of the average Facebook user’s friends are strangers, Like so many of us, though, the MacDonalds discovered that all this connectivity can come with a cost, Since it’s so easy to reach across the globe to make our next best friend — or rediscover an ballet flats for wide feet old one — we’re stumbling at staying focused on the people who are physically closest to us, in the same house, at the same dinner table, in the same bed..

At Stanford, Flatt is taking introduction to the humanities, bioengineering ethics and computational mathematical engineering, aka, vector calculus. She arrived on campus hoping to enjoy anonymity after being a celebrity in Colorado Springs. But word quickly circulated in her dormitory. She doesn’t utter a single complaint about exchanging a Rocky Mountain home with five bathrooms for a cramped dormitory with a roommate from Georgia who plays on the basketball team (point guard Jasmine Camp).

“Of Light and Land.” Fine art landscape photography by Jennifer Fraser, Robert Adler, and Dan McLean, Through April 23, Gallery House, 320 California Ave., Palo Alto, Enter through Printer’s Ink Café, Reception 6-8 p.m, ballet flats for wide feet April 1, Susannah Israel, Ceramic sculpture workshop and exhibition, Workshop 9 a.m.-5 p.m, Saturday, $75, Artists reception 6:30-9:30 p.m, April 2, Black Bean Ceramic Art Center, 561 Emory St., San Jose, www.blackbeanclay.com or 408-642-5757, Menlo Park Library (in cooperation with Kepler’s Books), Teen event: Cassandra Clare, “City of Fallen Angels,” and Holly Black, “Red Glove.” 7 p.m, April 12, Youth Event: Maryrose Wood, “The Incorrigible Children of Ashton Place: Book 2 – The Hidden Gallery,” 7 p.m, April 14, Youth Event: Magic Tree House Live Tour, 6:30 p.m, April 27, Menlo Park Library, 800 Alma St., Menlo Park..

“The years of Zen training were very helpful, because what year after year of sitting down on the meditation cushion teaches you is that it is possible to invite concentrated awareness into your experience and your body and your mind and your heart.”. The award-winning Hirshfield, a chancellor of the Academy of American Poets, who has frequently appeared on public radio, says inspiration comes in many ways. “More often than not, I am listening for a different quality of inner voice. It’s an active listening. Then the phrase will come. And from that phrase, meaning will begin to appear. So somewhere between deliberate thought and dream thought is the way words come to me, when I begin a poem.