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Director George Hencke’s insightful film does a good job recounting Spandau Ballet’s ascent, which brought the band from the London club scene to the top of the U.K. charts with the blue-eyed soul classic “True” in 1983. He does an even better job with its descent, as bickering eventually brought the band to its knees and, eventually, the courtroom. Fortunately, that was not to be the end of Spandau Ballet. The group has reunited and even performed at South by Southwest. The film closes with a performance clip of the band, which came from an earlier reunion date. The group — especially vocalist Tony Hadley — sounds quite strong in the segment. It’s more than enough to make one long for a full North American Spandau Ballet tour.
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Delwaide’s saucy ” …” opened the program’s second half, with a dancer snatching a silver champagne glass from Brandon Freeman’s hand. Obviously tipsy after an evening of imbibing under a glittering chandelier, the six characters in this witty farce bumbled, flirted and tried to make sense of their lowered inhibitions to the sound of a carnival-like soundtrack of compositions written for the glass harmonica, or crystallophone, by Wolfgang Amadeus Mozart and others. As loose and woozy as a head full of bubbly, Delwaide’s piece was an intoxicating experience.
“In summer we’ll offer a whole bunch of sports camps like lacrosse and field hockey,” says Brian Hames, a recreation specialist at the Willow Glen Community Center, All in all, the new offerings represent a 30 percent increase in the number of classes at the center, which until recently was short on staff to oversee its programs, ballet flats in wide width “Since 2009, we’ve been down at least two full-time positions,” Hames says, “With a new round of hiring, we filled those positions as well as another three-quarter time” job..
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