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“We didn’t really start with the idea of being a performing company,” he recalls. “We started with a festival, which is now (held annually) at Santana Row.”. Over time, more dancers came into the company from San Jose State, where Masters teaches dance, and the company established a residency on campus. The San Jose performances of “Roots and Wings” are slated for the Hammer Theatre Center, which opened last year in the former San Jose Repertory Company theater. While sjDANCEco staged its fifth anniversary show at the facility in 2007, Masters says he hopes his company will be able to use the theater on a more regular basis now that it’s run by San Jose State in partnership with the city.

The synthesis was ballet shoes - machine embroidery design, dancing is my life - machine embroidery design often stunning, even when the choreography was flawed, and it became a company instrumental in pushing contemporary dance into the brainy but emotionally expressive terrain that modern dance long dominated, Choreographers Hans Van Manen, who created more than 120 dances for the company, and former artistic director Jiri Kylian, Czech born and Royal Ballet trained, had everything to do with that achievement, Wednesday night, in the first of two nights at Cal Performances, that legacy was there in ghostly form only, NDT is now under the artistic direction of Paul Lightfoot, former company member and choreographer, with instrumental support from artistic adviser Sol Leon, also a former dancer with NDT..

“People seem to keep omitting that,” he says. A LITTLE PEACE. Julie Kibuishi was cremated wearing the tiara her brother gave her the night she died. Her ashes rest in her mother’s bedroom in an urn adorned with photos, flowers and another tiara. When her mom dies, she wants to be cremated and have her ashes mixed with those of her daughter. “I believe she’s up there in the heaven,” June Kibuishi says, “and hopefully I can see her again.”. On the bad days, that gives her comfort.

Pita nods to the director of “Mulholland Drive” with this new work, and the London Guardian goes so far as to call the choreographer the “David Lynch of dance.” Running toward the sizzle of ballet shoes - machine embroidery design, dancing is my life - machine embroidery design contemporary melodrama, his “Salome” promises volumes, It opens, with tule fog slithering across the stage, as a hearselike limousine rolls on, carrying a contemporary incarnation of the Bible’s murderous King Herod, his wife Herodias and the latter’s daughter, whom we know as Salome, Aaron Robison’s John (the Baptist) is soon “chosen” for seduction and execution..

Day Two brought Round 3 — Broadway, Tyce’s chance to choreograph a routine, a tale of dancers working late and then drinking something that turns up the “heat” between partners. It was a very tough routine and in the end, 26 dancers were cut. One who slipped through to the next round was Alexa Anderson, who the judges just seem to adore but who Adam admonished, “I’m getting tired of saving you.” Maybe it’s the blonde hair or that she almost made it all the way last season — who knows?.