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The GEMS flute repertoire ranges from Bach to Rock, though Edwards admits she tends to sway towards the Bach side of things, which meets with the approval of her students, including the teens. But Edwards is always looking for interesting pieces to add to her choirs’ repertoire. Recently she discovered a publisher in England that has arranged some Beatles tunes and other popular tunes such as “Over the Rainbow,” for flute choir. Edwards, who has been honored by having noted composers write specifically for her and for her choirs, is always happy to have more players in all her flute choirs. And after all these years she is still crazy about the flute, and the beautiful sound of the flute in a choir.
Suspected arson, political rallies — and a gold Bonanza, Where are you?, Here’s another clue to get you started, Clue: No opera whatsoever, Answer: …, We suspect that in 19th century California, the term “opera house” did not carry ballet shoes asda the same meaning it does today, But the historic Opera Hall in Sonora’s historic downtown bears its title proudly — despite its decades as an an automotive garage and dealership, Built in 1879 as the Star Flouring Mill, using funds from the Bonanza Gold Mine, the structure burned down in 1885 under, ahem, suspicious circumstances, The building had been used for gold storage, not just flour milling, and a great quantity of the bright metal went missing during the conflagration..
Friday’s opening benefited from expert leadership by McGegan in the pit, and lavish stage direction and choreography by Catherine Turocy, whose New York Baroque Dance Company brought a vivacious corps of artists able to navigate the gigues, gavottes, forlanes and other French dance forms specific to the score. Scott Blake’s set, augmented by Pierre Dupouey’s atmospheric lighting, turned the Zellerbach stage into an 18th century proscenium theater ornately framed in gold leaf. Projected backdrops suggested palace interiors and pastoral scenes, and the special effects were striking — in one scene, a group of muses danced downstage, while their projected images floated overhead.
Christopher and Sandra Bengochea — Tenor and Soprano Duet: 7 p.m, March 16, St, Paul’s Episcopal Church, 1924 Trinity Ave., Walnut Creek, Performing their collection “Songs of Love”, including pieces from Puccini’s “La Boheme”, Verdi’s “Rigoletto” and others, $10-$20, http://bit.ly/2A8TLCX, Fool La La: Over the Rainbow: 1 p.m, March 16, 23, 30 and April 6, The Marsh Berkeley, 2120 Allston Way, Berkeley, Features circus-inspired tricks, percussion and electronic body music in a celebration of individuality, After the show, audiences can join Unique Derique in ballet shoes asda a free 20-minute juggling and hambone workshop, $15-$35 sliding scale, $55-$100 reserved, www.themarsh.org..
Marie and Rosetta: March 6-31, Lucie Stern Theatre, 1305 Middlefield Road, Palo Alto. Stirring up churchgoers in the morning and the Cotton Club at night, Sister Rosetta Tharpe became a musical legend. With growing competition on the 1940s gospel circuit, she auditions a new partner with a voice made in heaven. $40-$100. www.theatreworks.org. Clockwork Alchemy 2019: March 22-24, 1333 Bayshore Highway, Burlingame. The Bay Area’s own steampunk convention features a weekend of art, music, literature and fanciful science-fiction revelry. $99. www.clockworkalchemy.com.
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